The Deadly War on Brazilian Funk Music

In law enforcement and politics, an organized effort to silence a subculture continues

Raphael Tsavkko Garcia
LEVEL

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A Baile Funk party at the Rocinha shantytown in Rio de Janeiro, Brazil on March 25, 2012. Photo: CHRISTOPHE SIMON/AFP via Getty Images

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Rubber bullets fly, tear gas sprays — and just like that, a popular funk music street party in São Paulo becomes deadly.

It was the wee hours of December 1, 2019, when militarized police officers ambushed the well-known bash Baile da Dz7 in pursuit of two men who had opened fire on the officers then run into the party. According to a police report, officers used “chemical ammunition” to disperse the crowd, kettling partiers into narrow alleys of the city’s Paraisópolis community. Trapped on Street 17 (for which the party is named), some members of the 5,000-person crowd were trampled. Nine teenagers were killed. The youngest, Gustavo Cruz Xavier, was 14 years old.

While on its surface the tragic incident may seem like a police chase gone wrong, it was yet another episode in a decades-old systemic war on funk carioca, a rhythm birthed by Black youth living in Brazilian favelas. The sound, which gives a voice to the country’s downtrodden citizens, has seen worldwide success thanks to superstars like Anitta and cosigners like Diplo — yet in the poor…

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Raphael Tsavkko Garcia
LEVEL
Writer for

Journalist, PhD in Human Rights (University of Deusto). MA in Communication Sciences, BA in International Relations. www.tsavkko.com.br