Everything should have changed for Clifford “T.I.” Harris in November 2019. That’s when the rapper went on the Ladies Like Us podcast and talked about traumatizing his daughter, Deyjah. “Not only have we had The Conversation,” he said when asked about sex education in his household, “[but] we have yearly trips to the gynecologist to check her hymen.” The tradition, he said, began the day after her 16th birthday.
After mentioning how he pressured his daughter into waiving her medical privacy during these trips (“I’m like, ‘Deyjah, they want you to sign this so we can share information. Is there…
Dear White women,
You won’t believe this, but I’m going to say it anyway: It’s okay to take time before you speak on something. That pause — that period of respectful restraint — doesn’t sweep things under a rug. It doesn’t cast a different light on those involved. In times of mourning or celebration, it’s totally fine not to immediately bring up someone’s demons. Some issues, some people, and some pasts are nuanced.
“This emotional force keeps informing my mind, keeping me blind from the reality of what’s being done,” sings Lauryn Hill. “I keep playing the fool to help everyone.” The unreleased song, “Damnable Heresies,” is haunting and mournful — the perfect complement to play over the closing credits of the new documentary On the Record, which premiered Saturday night at the Sundance Film Festival.
The movie centers largely on former music executive Drew Dixon, one of at least 18 women— some of whom appear in the documentary — who have accused hip-hop mogul Russell Simmons of sexual misconduct and crimes, including…
“I don’t hit women, but if I did, I would hit you.”
That’s what Charles Barkley told Axios reporter Alexi McCammond in November during a political event in Atlanta. His follow-up? Telling the journalist that she “couldn’t take a joke.” The next morning, he released an apology via Turner Sports calling his comment “inappropriate and unacceptable” while still maintaining that it had been “an attempted joke.”