Inside the Complicated History of Anti-Cop Anthem ‘Sound of Da Police’

The 1993 song reinvigorated KRS-One’s career — and against all odds became a Hollywood (and police) favorite

Eric Ducker
LEVEL

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Photos: Rita Barros/Clifton Agbortabi/EyeEm/Getty Images

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In 1992, KRS-One was at a crossroads. After a string of three gold records, his group, Boogie Down Productions, had only sold 250,000 copies of its most recent album, Sex and Violence. He was under industry fire for throwing PM Dawn rapper Prince Be off the stage during a notorious show at New York City’s Sound Factory. Some listeners complained that his music had become too preachy; others questioned his decision to drop a song like “13 and Good.” Meanwhile, BDP itself was coming apart. Other members had sued him for half the ownership of the group, and he’d recently split with his wife, Ms. Melodie, who was also a part of the crew.

Sitting at the Tokyo airport while on tour in support of Sex and Violence, that year, he wrote the lyrics for a new song. He called it “Sound of Da Police.” There wasn’t a particular incident that inspired it. Nothing had occurred between him and the authorities in Japan. The L.A. uprisings had happened earlier that year, but they weren’t consciously on his…

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Eric Ducker
LEVEL
Writer for

Writer and editor living in the great state of California. You can find his work at the New York Times, The Ringer, NPR and other outlets. ericducker@gmail.com