Murphy’s Law

‘Harlem Nights’ Is Comedy’s Most Overrated Cult Classic

How revisionist history saved Eddie Murphy’s 1989 all-star gangster flop

Keith Murphy
LEVEL
Published in
4 min readMay 1, 2020

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Jasmine Guy And Eddie Murphy In ‘Harlem Nights’. Photo: Archive Photos/Getty Images

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A few weeks ago, I aired a few controversial takes on Twitter. Nothing crazy, but also stuff you’d imagine would meet with some pushback. Derek Jeter was overrated. Scarface is really a comedy. Steph Curry didn’t deserve two MVP Awards. Beyoncé did not have a legit across-the-board classic album until Lemonade. 1999 > Purple Rain.

Weirdly, most people just agreed or disagreed. No rage, no caps lock ranting. It was downright civil in there.

At least until I mentioned that Harlem Nights was a disappointment. You would’ve thought I said Vanilla Ice was better than Rakim.

Thing is, I pulled the punch. The truth is that Harlem Nights is unmitigated trash. Yes, Harlem Nights. The 1989 crime farce written, directed, and executive-produced by Eddie Murphy remains one of the most frustrating, monumental letdowns in Black cinematic history.

Today, Harlem Nights has a paltry 21% rating on Rotten Tomatoes. But since its…

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Keith Murphy
LEVEL
Writer for

Mr. Murphy’s work has appeared in such publications and online sites as VIBE, The New York Post, Billboard, ESPN’s The Undefeated, OZY, and Esquire.