An Oral History of the ‘Coming to America’ TV Show You Never Knew About

A white-hot Black comedian. An old-guard White showrunner. What could go wrong? Everything.

Bonsu Thompson
LEVEL

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Photo illustration. Source: Paramount Pictures

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In 1987, Eddie Murphy was Hollywood’s Golden Child. He possessed a Midas touch that could pull a hundred Ms out of the box office with “a piece of shit.” (The cinematic turd Eddie referred to in a 1989 Rolling Stone interview was, in fact, The Golden Child.) He was on such a hot streak that Paramount Studios obliged his every request and whim. When the Saturday Night Live GOAT wanted his own film production company, he got it; when he requested a TV production company, he got that, too.

Eddie Murphy Television’s first project was the HBO collaboration the Uptown Comedy Express. The hour of sketch and stand-up comedy starred Marsha Warfield, Robert Townsend, a prime-approaching Arsenio Hall, and sizzling new comedian Chris Rock. But while the audience featured a constellation of ebony celebrity — from Jasmine Guy to Earvin “Magic” Johnson to Sammy Davis Jr. — the production was more Negro league than MLB. So when Murphy’s greatest cinematic triumph Coming to America became Paramount’s biggest hit of 1988, Eddie…

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Bonsu Thompson
Bonsu Thompson

Written by Bonsu Thompson

Bonsu Thompson is a writer, producer, Brooklynite and 2019 Sundance Screenwriters Lab fellow.

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